Sooo, like two months ago I promised myself that, whenever I went outside, I’d bring my beloved 5-year-old GF1 camera with me (“I’m going to take photos all the time”, I said to myself). I can’t show you pictures of the moment I broke my oath because, of course, my beloved 5-year-old GF1 camera stayed at home the whole time, unaware of my betrayal.
A couple of days ago, however, after successfully bringing my photographic device to some places and making click click click several times, I decided to give it another try.
I also created a photo diary, because I like failing bigger every time.
I hope you like it.
I drew some super simple (and inflatable?) icons the other day at work.
PS: I’ll be in Berlin from 12th to 20th of July. Ping me if you’d like to meet up.
These days I use Tumblr mainly as a way to save the images I like, so I wrote a little script in ruby that downloads them to my hard drive. Here it is: tumblr-photo-export. Plus, with the resulting directory I made a beautiful screensaver.
I had a terrific time attending ELCAF (aka the East London Comic Arts Festival) this past weekend with my friend Júlia. I met some friends and illustrators from around Spain (hi, punio, bloglaurag, josejajaja, mentecalamar, cristinadauraillustration and cachetejack!) and enjoyed the talks of Chris Ware, Seth and Mattias Adolfsson. Plus, I brought a bag full of nice comics and posters!
Other thing I brought? This video of the Q&A with Chris Ware & Seth. My gift to you :)
The pasilalinic-sympathetic compass, also referred to as the snail telegraph, was a contraption built in an attempt to prove the misguided hypothesis that snails create a permanent telepathic link when they touch. The belief was developed by French occultist Jacques Toussaint Benoit and colleague Monsieur Biat-Chretien in the early to mid 19th century.
The supposed telepathic bond between the two snails was imagined to have no physical limit, thus making communication possible over any distance. By touching one half of the snail partnership it was suggested that the other snail would sense the contact and would move. Benoit built an apparatus to test his theories, but it quickly became apparent that what he expected to be a communication revolution was in fact just a costly failure.
Making lots of small projects means you stay constantly excited. You literally cannot be bored with work if you stop working on it the moment become bored. And if you can’t sustain excitement for an hour or two, then you probably should consider doing something else entirely.
Great piece by the tireless Darius Kazemi.
If you aim to get any good with drawing, you will have to draw every single day. One drawing a day is the minimum. Go for at least 4. 10 is better. Draw anything: your toothpaste, the view from your window, that vase on the table. You will realise you hadn’t truly observe those things up until the moment you converted them into lines. They were just vaguely in your mind as familiar but now you will know every corner and detail of it.
I took a bunch of photos in the EcoHack hackathon that took place at MediaLab Prado, in Madrid, this weekend.
Have a look to the gallery and see you next year!
I did a sticker for the upcoming EcoHack. If you live in New York, San Francisco, São Paulo or Madrid come to hack with us on May 9-10!
Werewolf is a simple game for a large group of people (seven or more.) It requires no equipment besides some bits of paper; you can play it just sitting in a circle. I’d call it a party game, except that it’s a game of accusations, lying, bluffing, second-guessing, assassination, and mob hysteria.
Nice overview of the Werewolf’s rules by maxistentialist.
If asked to devise a boarding method without any data, you might settle on this as a pretty sensible one. But the airlines do have data — and numerous studies have shown this is not a good way to board an airplane, in terms of time or customer satisfaction.
Making films is all about — as soon as you’re finished— continually regretting what you’ve done. When we look at films we’ve made, all we can see are the flaws; we can’t event watch them in a normal way. [laughs]. I never feel like watching my own films again. So unless I start working on a new one, I’ll never be free from the curse of the last one. I’m serious. Unless I start working on the next film, the last one will be a drag on me for another two or three years.